This particular video was shot the day of the "Hasenbol Set", so the model is in the same position as in the pictures, and shows what I call a "Camera Flight." It's nothing more than moving a camera around a model that is suspended about 8 or 10 feet up which itself never moves. As you move around the background, being much further away, stays basically the same in the frame but the model, which is very close to you, will move relative to the background and appear to be moving by itself. Billy Meier couldn't do this because he only has one hand to hold the camera, which is on a tripod, and he can't see what he's filming to control the result whereas if you use a modern digital camera you can see what you're filming on the back of the camera as it happens and therefore can create the footage you want.
The main reason the video is called "The New Billy Meier" is a nod to the footage taken by the Italian Antonio Urzi who seems to have filmed a model suspended on a line at his roof top apartment. If you look to the end sequence on this video you will see the model doing exactly the same thing as in Antonio's footage which is a "camera flight." Antonio is probably moving his camera from left to right as he looks upward to the base of his model, like the last portion of this video, to give the impression of movement against a backdrop of clouds. I walked over to the model, which is in the video, and looked up from underneath while moving the camera left and right because I had Antonio's footage in my mind at the time. I wouldn't have done it otherwise.
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